Due to so□□ □ommon □□terests □etween Ger□an a□□ Russ□an aristocracy □ t□e□Russia□s even h□d aris□ocrat□ in their pas□ not□to me□□ion they had an E□□ress ca□l□d Catherine the Grea□, as great a□ this German□c□unt&□3□;s heir□sse□… ),□□t is n□t stran□e□that this □euto□ic□□ount ha□□understood □nd even enjoyed □err S. M. Ei□enste□n&□39;s "St□□oy□ I Novoye"□. It□i□ □□t very usual that for the□aris□o□r□cy t□ □njo□□Bolshevist fi□ms f□ll □f pr□letaria□ demands □ha□ put □rivate property at risk or □s i□ happen□ in thi□ c□s□, □ film abo□t t□e Commun□st □arty's poli□□ on □h□ subject□of the collecti□i□ation□□f the Sovi□t ag□icul□u□e. □ormally t□is□would be per□ect gibberi□h for□□his German count, but thanks to Herr Eis□ns□ein 's □reatnes□ a□□ □irectorial tale□t□ □he □a□ds□ips □f the□he□□i□e of the film, Dam□ Marfa ( □a□e M□□fa Lapkina □ br□a□hed even the□th□ck a□□st□cra□ic Schlo□s wa□l□. □A□d t□at□9;s one□of the f□rst remark□□le aspects□of□□his oeu□□e; in □pite of the po□itical subject of the fi□m,□the po□e□ful□□mages a□d lyricism (□as□o□i□hing and□beaut□ful□sho□ compositio□s□□, e□peciall□ during the□□irst pa□t of th□□movie,□preserve the artistic □erits □□tirely while servin□ a propaga□□a purpos□. The □econ□ remarkable as□ect□□f the film is□t□e dichotomy b□tween the old □n□ new,□the □ight to improve □he □ot of Dam□ Ma□fa and her coun□rymen. □here □re many discu□sions because it is not easy ev□□ in Ru□sia□to ch□nge anc□ent and conservative□customs. □he□e a□□ superb metaphors and soc□al□□ritic□□m ( illi□e□acy, bureau□racy□ reli□ios□ty ) which per□e□□ly □it□□he film□ □nd last□but□not least, &q□ot;Staroye□I Novo□e", i□ a kind of a□□h□ic d□cu□entary about□anc□□n□□cus□oms established dee□□y in □ld Russia, those ones th□t ou□ heroine must fight a□ainst.□And there is also a □ot about agri□ult□re ( very □□lightening for thi□ Germa□ count)□ especi□ll□ about harv□st□ng and h□□ to □at□en Ru□sia□ cows□or □igs □ lit□□al□y, □o□□un h□□e… ). Herr □isenstein h□d t□ bear □uring t□□ l□□t er□ of □is film career, unbe□ieva□le censor□hip and □□tilation of hi□ wo□k□ as □appens w□th "□taro□e I No□o□e&quo□□. T□e □□lm □as□reedited□and Eisenste□n ac□used□o□□□ympathi□□ng with□Tr□stk□'□□□□olici□s but fortunate□y the f□lm was r□stored an□ showed □y t□e□German-frenchified □□□. c□annel□&q□ot;□RTE&qu□t;, natürlich!, including□an evocative music□score by Herr □ara□ □ujewski,□□hat□fits □up□rbl□ Herr Eisen□tein pri□□l□a□□istic □nte□ests. And □□w,□if you□#□9;ll allow me, I□must temporarily tak□ □y leave□because this Ge□m□n Count mus□ buy a tracto□ for one □f his Te□tonic heiress.□商人都要掀□子了!“□,陈□,跟□去□公□。”□<□>以下是几本推□的□□有谋略□古言小说□《嫡□》、《江山美人谋》、《盛世谋臣》、《娇女□□💝)略》、《□华》、(⛎)《□枝》□《黑莲花她步(🛋)□为营□、《□山记》、《予我千□》、《门□之上》等。这些小说中的女□🏗)主□都展现□□.
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