《曜镜贴吧》：

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“有这么多吗？”曜镜贴吧墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest.　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time.　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one.　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

大飞与黑豹都在洪爷主持的犯罪集团里工作，警方派卧底阿星搜集集团的犯罪证据，可惜被大飞识破了，星取得机密磁碟后，交给女友阿ANN，并叮嘱她马上离开香港，她返到吉隆坡后才知道阿星已被杀害。大飞一直与洪爷养子阿豪争宠，故指阿豪与差婆杨琳来往，阿豪只好承诺不管用任何手段，都会找回磁碟。阿豪估计磁碟落在阿ANN手中，所以到大马找阿ANN，而此时香港警方对阿星被杀一案，也非常关注……

运动万能、拥有正义感，在班上最受欢迎的美墨莎莎。成绩优秀，永远是班上的第一名，但其实有点天真的雪城乃香，两人同是就读菲诺奈学院女子中学部二年级的学生。某一天，莎莎和乃香各自遇见了不可思议的神奇生物美波和米波，他们由于故乡光之园遭到邪恶的攻击，因而逃到虹之园来。　　然后，莎莎和乃香被美波和米波赋予神奇的力量，携手变身成光之美少女“Pretty Cure”。　　性格和兴趣都完全相反的两个人将同心协力，和来自闇之领域的邪恶敌人展开战斗。