T□is apocalyptic pa□abl□ □arries within it a□c□□ar echo □f the 1□68 i□vasi□n of Czech□sl□vakia. □his□unfo□giving explo□at□on □f □he Czec□ mental□ty□□ells □he tale of a troupe of wander□ng ac□ors who □erform a□passion pla□ in □ome □n□□med□villa□e□ Fear of □□me unkn□wn dange□ breaks out in□the vill□ge, w□ich is cut□off from□□□e□sur□oundin□ world. Stupidit□, s□lfishn□ss □n□ aggressive□ess□the□ come t□ the sur□a□□ □n t□is soci□ty □nder □hreat. In □he film□□s key□scen□, a woman is raped by□the sel□-styled□l□ade□□ Zd□nuk Mahler, w□o w□uld l□ter wo□k on Forman's e□aminatio□ Mozart Amadeus, worked on the □cript□ □The dir□ctor Ev□ld □□horm □1929-198□) was □ne□of□t□e □o□t original me□b□rs of th□ Czech &□uot;N□w Wav□□□uot;. Durin□ the "□□orm□l□□ation" □ra,□S□horm spent□many y□ars un□ble□to direct. □is last fil□□ K□l□ing wi□h Kindne□s □1988) was onl□ made□in the tw□□ight□years of □ommunism□□Du□ing □hat □eriod□w□en he □as unab□e to □ir□□t □ilms,□□e□bec□□e□an outst□nding stage dire□tor. □e directed gr□□ndbreakin□ □r□duct□ons at the "□N□ zábradl□" Thea□er a□d Laterna Magika.听□他(📓)这话,所有人都是□呆(🛐□,不知道是个什么(➿□意思,一哥却是□(□)笑着问道:□哈□(🍱),小五,你这□的都是什么呀,谁是张果老,什么又是放风筝呐!”□就连护卫□是武(⤵)宗,这点,□浩(🌩)还是有自知之明的。 天气“变脸”为何如□(□)之快?