《秋天的童话韩剧歌曲》：

探索这样一个神奇莫测的陌生领域，人纵然纵其一生也未必能有所获！这也是古往今来多少惊才绝艳之辈踏足巅峰却终不能跨出这最后一步的主要原因。

众人正待开口，小雨忽然跳了出来：“苦长老，我来帮你试试，行军拳？我会！”秋天的童话韩剧歌曲擂台上，顿时一半变得阴寒，一边变得炙热。

从前，一位国王十分喜欢造鼓，他花费了大量的精力，终于造出了一只世界上最完美的鼓，然而，他的女儿却因为鼓死去了。一晃眼六十年过去，阿平（Kett Thantup 饰）是一位非常热爱打鼓的青年，每天，他都花大量的时间练习打鼓。　　阿平的师傅继承了完美之鼓，这只鼓能够保护它的主人，却也在主人身上施下了诅咒，凡是抛弃鼓的人，都将在三天之内惨死。一次偶然中，阿平结识了名叫提普（沃拉娜特·旺萨莞 Woranut Wongsawan 饰）的女孩，提普十分欣赏阿平的勤奋和刻苦，随着时间的推移，两颗年轻的心渐渐靠在了一起。小镇上有许多人都想得到完美之鼓，于是阿平的师傅决定举行一个鼓艺大赛，从此自后，恐怖的事情接二连三地发生了。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”