Salomé □1923), a silent film □irecte□□by Charles □ryant□and starrin□ A□□a Nazimova, is a film a□apt□tion o□□the Osca□ □ilde play □f the□same n□me. The pl□y itself is a□loo□e re□□lling of □he biblical st□ry of □ing H□rod and his execut□on o□□□oh□□t□e Baptist (□□re, as in Wilde's play, cal□ed Jokaa□an) □t□the re□uest o□□his□ste□daugh□er, □□□omé,□whom□he □usts □ft□r□ Sal□mé □s often□called o□e of the□fir□t □rt films to be mad□ in t□e U.S.[citatio□□needed□ T□e highly styliz□□ c□stumes, ex□gge□ate□ acting (even □or the□period□□ minimal sets,□and a□sence of all but t□e most□nec□ssar□ props make for a s□reen image □□ch □ore focused□on at□□sphere and□on conveying a sense □□ t□□ c□aracters' individua□ □ei□htened des□res than o□ conventi□□al plot d□□elo□men□. D□spite the fil□ being only a litt□e over □□ □our in□length □□d□having no re□l action to□speak of, it cost ov□□ $350,000 to make. All □he set□□□e□e constructed indoors to□b□ able t□ □ave com□lete control over the lightin□. T□e f□lm w□□ shot completely in black a□d □□ite, mat□□ing the□illustrations □one by Aubre□ Be□rdsley in the printed edit□on□o□ □ilde's play. T□e costum□s,□□esigned by □at□cha□□am□□va□ u□□d mater□al □n□□□fr□m Maison L□wis of Paris, such□as the real s□lver □□m□ loi□cloth□□wo□n b□□the guards□ □o maj□r studio w□uld□□e associated wi□h□□h□ □il□, and i□ was years after it□ completion before □t was released□□by a minor independent distr□butor. I□ wa□ a □om□lete fai□ure □t□the time and mark□d t□e end of□Nazimova's producing career. A long□ta□ding rumor, which seems to have □tarted □□ile □he fil□ □as st□□l in pr□duct□on, suggests that its cast is compri□e□ entirely of g□y an□ bisexual □ctors in □□ ho□age to Oscar W□lde, as per s□ar□a□d producer N□zimova's demand□□It is, of cours□, impossibl□ to s□y□ but on□ of□□he extr□s □n Salomé□re□o□te□ that a□nu□ber of the c□st □□mbers□b□th feature□ and extras—were indeed □ay, but n□t□an unu□ual perc□nta□e □f□them, □nd c□rtai□ly not al□□of th□m. What ca□□be sa□d i□ t□at Nazim□va□herself was □ lesbian,□the t□o g□ard c□□rac□ers (who, □ext to□□alomé, have th□ most scree□ □ime)□are at least playe□ □e□y stereot□pi□al□y □ay, □nd several o□ the□female cou□t□er□ are men□□n drag. □(🍦)Salomé □□s□s□r□ene□ in 1□89□a□ the New York□Int□rnati□n□l Fe□tival of Lesbian and G□y fi□m□ an□ in 19□0 at t□e New Yo□k Gay E□peri□en□al □il□ □□□tival□ I□ 20□0, the United□Sta□es□L□brary □f Congr□□s dee□ed□□he□□□□m &q□ot;culturally□significa□t□□u□t;□an□ sele□ted it □□r preserv□tion in th□ Nat□□nal Fi□□ Registry.
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