大元帅(🏤)□了口气。□his earl□□70's □ia□□o by Umberto□L□□z□ is ce□tainly □mong the□be□□ in his filmography and also in the whole genre. Per□onally I t□ink Lenz□□;s be□t films are the □unny □□r□oon-t□rn□d-f□lm Kr□min□l, the stylish gia□l□ Seve□ Bl□od-Stained Orc□ids, □h□ explosive Napol□□v□ole□t□ and th□□. In□the□eigh□ies he did pl□□ty of □il□ □rash in f□rm o□ Eaten □□ive, Hitche□ in the D□rk □r Bla□k □emons, all□□f which are rip□ing someth□ng off a□d/or very dull and □low□□oving. Knife of□I□e came when□th□□gia□lo boom □as at its hotte□□ and t□e resul□ is conv□n□i□g. Technically the film i□□sup□rb, con□aining g□□at cinemat□□rap□y in the□beginning when w□ l□a□n□about the□mai□ ch□ra□ter□;s trau□a towards tr□□ns. From this po□□t on, □enz□ sh□ws□us h□s abil□ty to benefit the wide□creen and, □or e□am□le,□the□□□cycle ride nea□ the for□st□is gen□inely beauti□ul! This scene also show□ Le□zi□9;s ability to build□s□spen□e□ very □lo□ly but meaning□□lly. A□ter all□ □here □ren't so many murders□in the□whole film,□only the suspe□se circulating aroun□ t□e□murdere□'□s ide□tity. □One □uspe□t is □ devi□ worsh□p□□r w□□c□ brings new aspects to the□m□□tery. S□□ce □□e fin□l scene tak□□ place in a □□urch□ □ne ca□ wonder if□□e□z□ w□nted t□□co□□ent on somethin□, mayb□ the hypocritical m□ral□ □f church and sup□r□tition. The ma□n □h□racte□ □Carr□l Bake□□ □s mute which demands a □ot from her face□and□eyes. The actress □orks very□well, □iv□ng u□ □□be□□e□□□l□ per□orman□e circu□a□ing ar□un□ the emoti□n□ of f□ar □nd me□□□l □ain. Th□ othe□ actors□are good,□to□. The fina□ly, □□w□□er, may not □ive too □os□tive □ si□ht about fema□e□sex s□nce they□all are □xpressed □athe□ ne□at□vely in th□ □ilm,□one way or anot□er. Still this i□ easily am□ng the most notewor□□y i□ the genre, not as blo□dy□as t□e□□rgento films,□fo□ examp□e, but equ□□ly □uspe□seful a□d□visual□y also in□□r□sti□g.- 阿蒙(😞)□能力很强□如核心能力□偷盗与欺...