Th□ □olish □oc□□fo□□□he BFI’s □ent□ry o□ Cine□a dist□ngu□sh□□ itself f□o□ all th□ others in the seri□s by bei□g□the only on□ not□t□□h□ve any f□lm c□□tics, acade□i□s, directors, e□c □roviding a commentar□. □nbsp;Inste□d it takes □h□ refr□shi□g route o□ hav□ng ord□nary□people of □ll age□ ta□kin□ □b□ut what□s special □o them ab□ut □ovie□ □ so□w□ g□t s□me□old folks des□rib□ng their first tr□p□to the c□nema when□□ □ot of□p□ople didn’□😬)t e□en□kno□ what a f□l□ was, me□ories of wh□t it was like to go t□ □he□movi□s as children, teenag□rs, and adults before, du□□ng,□and after □WII, and □special□y the ke□□s□enes from fi□□s that have ma□e lasting □mpres□□ons upon them□□not unexpectedly, Wajda’(🤺)s KA□A□ st□ikes a n□rve), which a□e□□hown in accompa□iment, s□ that it be□omes the interviewees □□o □ltimately decide wha□□□ s□own □□ t□e d□co. T□is □ind of s□u□f is □hat the □10□□□ears of C□ne□□’ □□le□ration□is re□lly about.2.□□青云...