Three□year□□after the loss □f hi□ brothe□ V□□□orio, with whom he shar□□ h□s□entire career, Paol□ Ta□ia□i□ret□rn□ to t□□ wo□k□ of Luigi Piran□ello, wh□ch t□e□pair ada□ted □n □□8□ (C□aos) □□d 1998 □You Lau□h). In keeping□with the Sicil□an playwright’s vision, the fil□ is n□t at □ll wha□ i□ a□pea□s to b□. T□e title may come from a□1910 novell□□ but there □s n□□t□ace □f that bo□k’□ jealousy-r□d□led plot. Instead,□th□ focus i□□on P□ra□dello hims□lf, or r□ther, h□s ashes,□which are tran□□o□ted from a hasty bu□ial si□□ □□ fascist Rome to a permanent r□s□□ng place □n Sicily, □n a tr□k th□t takes□us thr□ugh□post-w□r □taly and its fi□m□d memor□es, □s seen□□□ newsreels, ama□eur films an□ f□□g□ents of Neorealism. H□ving bu□ie□ the □as□er□ Leo□o□a a□dio then shifts gea□□from roa□□mov□e□to f□lm adaptation, but □ere i□ picks□a□diffe□ent Pirandello st□□y, name□y the l□st one, written shortly □ef□r□ □is d□at□ □n□□936□ F□o□ t□□ □arew□ll □f the □itle to its return □o the writer’s l□st□word□, it□i□ hard n□t to re□d thi□ w□rk, so free an□ □et □□ much a□part of the Taviani world, a□ □ moving brothe□ly farewell which, j□st as in□□012’□ G□lden Bear □□nner□Caesar Must□Die□ □nce□a□ai□ uses cinema□to give□voice t□ literature and □is□o□y.□p>- 吴九指在其修仙道□上一个机缘巧合的机会结识了韩□。□因□苏生的心海之内□(🎭)雷之□□🙏),运用心海来□□这□魂,不但能够□🏖□让影魂与苏生契□,□且苏生这道影魂还能携带一丝雷霆之力□□待电...
“The Chosen Ones” turns on 15-year-old, Ulises, who is being groomed by his father to enamor young girls, tricking them into prostitution. But he falls in love with Sofia, his first victim, who’s just 14. To save her, his father demands he seduces a second girl, entangling Ulises in the world of juvenile prostitution that he was trying to avoid, from which escape come at a very high price.