Here□9□s a m□dern-day film noir in□whic□ you'□re□never □ure what's real and□wha□ isn'□t rea□. T□□re is a possibility y□u may get tired □f guessi□g and gi□e up on this fil□ 3/4ths of the□way through, as I a□mo□t did□but it wor□h f□nishing.□□t □lso was be□ter the second time□a□oun□ □The pr□blem□□□ □us□ too many flashbacks.□If some of □hose scen□s wer□ n□□ replayed so□o□te□, or □ □ew□of□th□ □any□□w□sts el□minated, i□ wo□ld have be□n □ su□er□movi□.□It stil□ w□□ fasci□atin□ in□part□. I□ grabs you, an□ you can□;t st□□ □atchin□ to□se□ wh□t □he real □tory is. Along□the way, is a bun□h of □ice colors□and some nice □ilm noir□type in the □eginn□ng an□ th□n□□uring t□e□en□□ng □re□□ts.