小朋□□纸上画(💀□了一只黑公□,不久□大雁给黑公鸡送□一枚金质(🏾□奖章□原来小朋友的画获了(🔡)奖□纺织娘称赞黑□鸡真□丽(🧥)时,建议它走出□让大伙都瞧瞧,黑公鸡听□➕)从了它的建议。□ 旅行的路上,黑公鸡因为那枚金质奖章(💨)越□越骄傲,不断炫耀自己如何□丽如何与众不同,但大伙□说一切都归功于□朋友的劳动□颜料,大公鸡一(🌥)气□下□□料从身上扔了出去,□了(□)一只凸□鸡,后来,□在□□的嘲□声中□□了画纸变□一只□明□,直到想把□(□)条也□掉时(🏙)□它才意识□自己并没有□□的资本。<□>以下是□(👮)居易写□湘灵的部分诗作:□An □motive anthology by s□ven of Singapore'□ most ill□strious□filmmakers□ ce□e□rating SG50 through□the □□v□s a□d □torie□ □f S□ng□porea□s. Direc□ed by Eri□ □hoo, Jack □eo□ K. Rajago□al, R□yston□Tan, Tan Pin□Pin, Boo Junfe□g, □elvin Tong.黑色奥迪驶上了山(🕞)顶,在九龙庄的庄□大门前□下□A □c□en□ist □ttempts to mas□er□the□art of □ransfer□ing□mo□ikan□com people'□ □ouls□into□□□ppe□s□T□□s□□992 Japa□e□□□film tel□s t□e story □f a scientist who□se□s□o□□ to create the □ew "□super□Adam an□ Eve",□h□mans□□ho cannot□be □ont□o□led b□ □he□r□emotio□s□ Of □ourse, the end r□sult it □ot□□xactly wha□ the good doctor ex□ects.□ □□m□ents□fr□m □□db: □(🖼)□his modern ta□e o□□an attempt to bui□d a creature is□□ne of□th□ best□&□uot;horror" films□ever made,□even if □ts not a horr□r film b□t something □lse □ntirely. Ce□□ainly its on my shor□ lis□ of□all□□□m□ gre□t □ilms. □Th□s □il□ wa□ introduced to□m□ by someone w□o tol□ me &qu□t;I have this□film □h□t probably one of □he be□□ fil□s □□u'l□ ever □□e.□I□ wil□ □ove you and touch□you and ma□e you thin□,□b□t if □ tol□ you what□it□is□and told y□u h□w its done you will thin□ its t□e □t□pidest thing□on the face of it□and□yo□ □on□;t w□t□h it." Intrig□ed I asked w□at did h□ m□a□, and h□ sa□d□ "Well i□s a Franke□st□in□story, □□th a□□ery goofy □ort of edge,□bu□ whi□h□us□s it to its a□vant□ge.&qu□t; M□ ears perked □p, a□d I□being a trusting soul took the tape a□d watche□□it.□I was□blo□□ □way. □he pl□t concern□ a □ad scientist attempting to mak□ a new□A□am and E□e in□the wake □f a □□i□idal □□ague that is ravaging the□□□rld□ Locked□up □n □is l□b his experiments go □ifferentl□ then eit□e□ he or we expec□. Some o□□it i□ □il□y (The bolts □n the ne□k, th□□wre□tli□g move□...□, al□ of it is touch□ng□an□ thought provoking.□ I□can not re□ommen□ this□m□vie enough.□If y□u are□w□lling□to □ake the film□□n □ts□terms and □llo□ it to □ell its story then I urge you □o □eek th□□ f□lm □ut and se□ it. This□is an □ndi□cover□d gem□that will□stay with yo□ for□□er. (🌧) 15 out□□f□1□ and then som□. 1□/10 Also known as "The L□st□Franken□□ein", this is an extraord□□ary,□impeccab□y produced horror □ilm.□Di□e□□or Tak□s□□□Kawamura u□es □ary She□ley's □ovel a□ a mere la□nching pa□ for an□ex□l□ration of s□bjects as di□erse□and fascinating □s□th□ na□ur□□of□□□v□,□desi□□, s□icide, mass hyp□osis, sex, alienation and jealousy□ And□t□ough the□fi□m is dense with subtext, it is also stunnin□ly ph□t□graphe□ and rich in atmosph□r□ □nd de□□il□ The □erformances are all amazing and Kawam□ra's s□n□i□□ve handling of□the str□nge, delic□te□relation□h□ps b□tween the charact□rs results in □n emotion□l□□ cha□□ed,□□n□s□-ridde□ tragedy□ T□□ scenes of□th□ confu□ed□ tro□□led mon□ter □u□tling through a fog-shrouded fo□□st □t night□are□memorable□and s□ri□ing, □s is a b□illian□ ho□e movie-□tyl□ montage of the□film□9;s more c□ri□□s characters enjoy□ng a□precio□s □fte□no□n at the bea□h.□Kaw□mura□□reates resonating visu□l□po□□ry □f hor□or an□ sadnes□ ba□ely s□gh□ed s□nce Todd Brownin□'□□□classic "Freak□&□□ot;. Intelli□en□, e□o□ional, □r□□ic and real, □his is□an□a□solut□ gem.□□□10