□围塔林电影节影评人之选竞赛□📻)。□ □a□ter□ully orche□tra□ed □ □i□h only a small budget, the□setting b□sically consisting of□a □able□□two chairs, two p□rsons tal□i□g, on□ my□te□ious manu□crip□ and□some □ittle fo□d i□-between –□this□two-m□n□drama reminds me o□ Robert□Bress□n□s f□m□us wo□d□ ab□ut filmmaking: “Two type□ of films: □hos□ that□employ the□resources of□□he theatre (a□t□rs, dire□ti□□,□etc.)□and use □he camera in□order□□□ □e□ro□uc□, and□tho□e that□□mp□oy the resource□ of c□nematography an□□use the □□me□a to create. (□obe□t Bresson.□“Note□ o□ the C□nem□togra□h”,□New York Re□iew of Book□□□20□6□“问他干嘛啊□□就一个□□的。”Jean Rollin□功地□僵尸(🚄)□影□远的梦幻感与嬉皮时代的□象融合,于是坐□古堡□不是千年面孔的男僵□,而是两个长发披肩的嬉皮士□女(🌈),一白□黄,七十年代吹(⛔)捧的□型女孩形象,至于僵尸□团的仪式、成(🐇)员□行为又□极□时□行□公社生活型态。色彩□💄)浓艳,在□□)□国田原的□建筑中注入不少鲜艳□□亚色调,□□花□百出的戏□