□The history o□ Danish coun□r□ □hurch □rc□i□□cture is told□by show□ng scene□ of ho□ the church was□used by the cong□□gat□□n, beginning w□th the ce□ebration □□ □as□ in□a small and □imple wooden□church□□0□□ye□rs ago, and endin□ with the congregati□n singin□ in a v□llage□church □□ t□-day. The □e□elopm□nt and the g□o□th of the patter□ of c□u□c□ archi□ec□ure is□shown. Dreyer□in this film s□□w□ a series of ch□rches from□diff□rent pe□iods with churchg□er□ in□period cl□thing. Each□p□rio□ □□□□□p□□ated by a sho□□of a church□□ell□d□ub□□-e□p□□ed on the□sky□ Althoug□ □he fil□ has □ vibrant and inst□□c□ive way of c□mmunicat□ng□the different epochs and s□□□es to □tudents,□it □oes not exhibit the a□tistic qu□lity □hat usu□□ly □istinguis□□s a Dr□y□□ film, □xcept perha□s in some□of□the costu□es, w□ic□ wer□ o□iginally made for D□y of Wrath□ T□e b□ar□□of Da□□k K□lt□rfilm in□□utu□□ 1945 decided t□at □hei□ pla□ned church film wou□d exclusive□y □□ ab□u□ vill□g□ chu□ches. Dr□□er woul□□rework th□ sc□i□□ t□at was wri□ten□□y□editor and folk□high-school□prin□ipal Bernhard Jen□en, □id□□ by □□c□mmittee of experts □onsisting o□ □□chitect□H. Lønborg-Jensen and V□ctor Hermanse□, c□rator at the Nati□nal Mu□eum of Denmar□. D□eyer had a first draft□□□ady□in □i□-Ma□ch, enti□led Kirk□n □r e□□g□□m□l□ □us (&q□ot□The Chur□□ I□ an □ld H□u□e"), wh□□□ was distributed to the members □f the c□mm□ttee for□their comments□□ In the las□ hal□ of □ul□, □reyer □nd□□i□□o□ Her□□nsen tra□□□led the coun□ry to look at sui□ab□□ chu□ch□□. The□□rese□rched□t□e details and at□Dr□yer’s requ□s□ a number of □e□□nic□l chan□e□ were ma□e□□o the□c□urches, □ncluding the removal of porc□lain ho□□e□s□for elec□rical wiri□□ in Tveje Merlø□e□C□urch. On 4 July, Dre□er we□t in advance□to Ringkøbing. Shooting was set to□sta□t□a f□w□day□ l□□□r with the arrival of the direc□or of photography□□Preben Frank, wh□□h□d□fallen off □ lad□er and broken h□s leg, Fort□natel□, he was ready to cautiously start working aga□n within□a few□days, wit□ hi□ l□g in a c□st. Oth□rwise, the production □ent wi□□ou□□□□g□□tch. Everywhere, Dreye□ sai□, they □ere we□l received □t the vicara□es□and the□ had no □rob□em getting enough ext□as. On 1 aug□st, □hey□returned to Cope□hage□ wit□ al□ost all □□□ir foo□age in the c□n. Th□□ on□y needed to fi□m the c□urch□i□□Ske□□y, whe□e t□e weather h□d been□agains□ them□□plu□ a Swedish wooden □□u□ch i□ □□dared. The econom□ □as dis□res□ed so soon after the war, es□□c□ally□□□en it c□me to foreign c□rrency, but there □e□e□no r□□l wooden churc□es le□t in Denmar□ a□d b□ildi□g a□ inte□ior se□ i□ the st□d□o□would be□too □□□ensive.□ The fi□ishe□ film was shown□for t□e first time on 24 Septe□ber □94□ □o a small, clos□d cir□le□ wh□ch inclu□ed □□e Mi□iste□ for □cc□esiastical A□fa□r□. I□ D□cember 1947, as was Dansk□Kultu□film’s □□andard pr□ctice, the film □as pre□ented to□□h□□press, politicians and o□hers on a pr□g□□□me wit□ four □ther □hor□□films.□似于《人□(□)仙道》的小说有:(□)□这特么直□来了□尊罡武境后期□!谢尔文□“「洪□」?(✏)?那□应该是50级的突破任务吗!”□在“骏马路”老(🥁)街的□个男(🐉)孩女孩,在□一所(🌅)□中读书,并(🚕)一起磕磕□绊成长的故事。