□龙旭心里发慌,他甚至都可以想到方峻见到高慕尚递给□花时惊讶的样子。In a□con□used□welter of □r□ist□c li□e□ce, this is the□c□as□□cal m□si□ □iop□c □□ich□□ak□s □;□ong to Remember'look□like a m□sterpiece. Bogarde s□cce□ds in □im□□ishin□ the reputati□n of□the musical □olos□us wh□ span□ed Euro□ean music□f□r □□st of th□ 19th Centu□y□ □he absurdities of th□ □l□t, the sequoi□-□□k□ qua□ity of the acting □nd t□e p□evale□ce of his□□r□c□l,musical and lingu□st□c anachron□s□s co□bine□t□ el□vat□ thi□ o□f□ring to the statu□□□□ □□ A1 tu□ke□.How a□pianis□ of□the□statur□□of □ole□ came to□be mixed up in this fiasco can o□l□ be gues□ed a□. □he □h□racterisation □f □iszt fails□to convey even a □inute □mpre□□i□n o□ his□m□gnetic pe□s□nality □nd t□e overwhelming effect that h□ □ad on n□t o□ly h□s a□d□ences,□but al□o□his pi□□□st□c□rivals.Clara Schumann he□self□said that □;we toil over that which Lis□t reads a□□si□ht□□; W□ilst□t□e e□phasi□ seems □o □o□us on his ro□antic prowe□s,rather than his□status as □he greatest pianist of the century or,argua□ly, of all time□ on□ □e□l□,n□verthe□□ss, that□th□s was □n □p□o□tunity lost.