The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films. 切肤之爱txt 百度网盘器苍天非常果决地否定了苏生的想法。
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The halves of two bodies, one belonging to a female Swedish politician, are discovered in the middle of the Øresund Bridge, which connects Copenhagen in Denmark with Malmö in Sweden. The body, cut in half at the waist, has been placed precisely on the border between the countries, thus falling under the jurisdiction of both the Danish and Swedish police agencies. After further examination, it turns out that the body is that of two separate corpses, with one half belonging to a Danish prostitute. Saga Norén, from the Swedish side, and Martin Rohde, from the Danish, lead the investigation to catch the murderer.[4][5] The investigation quickly escalates as a journalist, Daniel Ferbé, whose car was used in the crime, begins receiving phone calls. The caller, who becomes known as the "Truth Terrorist", claims to be committing his crimes in order to draw attention to various social problems. A social worker, Stefan Lindberg, whose sister becomes a victim of the Truth Terrorist, becomes an early suspect. However, events soon lead the Danish and Swedish teams to conclude that the killer has connections to the police. They discover that the crimes have been planned over a period of several years. The trail eventually leads them to Jens, a Danish policeman and former close friend of Martin's, who was thought to have committed suicide after an accident on the bridge caused the deaths of his wife and son. In the course of the investigation, Martin and Saga develop a close working relationship, although they are very different people. Martin has a twenty-year old son from his first marriage, August, who is now living with Martin and his current wife, Mette, by whom Martin has three children; after Martin has had a vasectomy, Mette discovers that she is expecting twins. Saga lives alone and does not seem to feel she needs a serious relationship, instead picking up men in bars for casual sex. She appears to have symptoms consistent with Asperger syndrome, resulting in difficulty establishing relationships and feelings of inadequacy in managing people; she refuses a promotion for this latter reason. After the killer has murdered several people and successfully thrown red herrings in the way of the investigation, his true purpose - to strike at Martin himself - eventually becomes clear. Jens, now calling himself Sebastian Sandstrod, first approaches Mette, who is susceptible to his advances, after learning that Martin has slept with Charlotte Söringer, a woman who is peripherally involved in the investigation. Sebastian lures Mette and her children to a remote spot where he subjects them to a terrifying ordeal, locking them in with a room and giving her a hand grenade with its pin removed to hold as long as she can. However, Saga realises that August is the real target. The investigation culminates in a confrontation on the bridge, where she cannot help but tell Martin what happened to August and has to fire at him in order to prevent him destroying his career by killing Sebastian, the killer's final intention.