T□is □□lm is an extremel□ entert□□n□ng psychological thriller□with Carrol Bak□r excel□ent as □ r□ch □merican□□idow get□ing□away f□om it all □□□a s□clu□ed□Italia□ vi□la. □nt□r □mar□ al□□□ do□n on □is luck playboy, Lou Cas□el, who has som□ golddig□ing motives behin□□his slick hipster □□duc□ion techniques and has no qualms about □ow h□ □ets wha□ he wants. H□ en□ou□a□e□ Bak□r'□s characte□'s in□ipient alcoholism□and dub□ous se□f-esteem, □rings i□ his supposed '□sister□9; to help drag Baker □□en□further into a maze of □ick mind ga□e□, drug ad□□ction and□□roup sex,□a□l□culm□nati□□ in a□desc□nt □nto near-madn□ss and s□lf□□□struc□ive depravity. I□w□n'□ give away□anymore, suffice to say□that the □ilm□de□ive□s□on □ts □wi□ging sixtie□, □ur□ sleaze a□bience □□d psycho□ogical suspense t□riller credentials i□ □pades. □irec□□r Umberto L□□z□'s w□r□ has been,□a□ best, □ne□en □□d □e's c□u□□ed out his s□are □f □rap. □oweve□, h□ ma□e some qu□t□□good gi□llos□and crime pi□ture□ in t□e sixties an□ □eventies and this is one of □hem (othe□ good f□l□s by □enzi -- □□ASMO,□SEVE□ BL□□DSTAINED □R□HID□□ ASSA□LT□WI□H A DEAD□Y □EAP□N, to na□e□□nly a few).□ Un□o□t□nately t□is film is ofen□confused with□a□□ther okay bu□ not-qu□□e□a□-g□od Lenzi f□lm that was a□s□ r□leased brief□y here□in America unde□ the same □□RANOI□ title□(b□□ i□ more comm□nly know□, espe□ial□□ o□ vide□, as A QUIET P□A□□ TO K□LL).□4:《重生之李氏仙□.□