《错了性别不错爱小说结局是悲剧吗》：

本该是高中女生的「我」居然在不知不觉间来到未知之地，还转生成「蜘蛛」怪物了！？虽然我成功逃离喜欢同类相食的蜘蛛父母，却不小心闯进怪物们的巢穴。在这个毒蛙、大蛇、巨猿还有龙四处横行的可怕迷宫里，只是一只小蜘蛛的「我」有办法存活吗……真是……开玩笑也该有个限度吧！造成这种状况的元凶快给我出来──！在各方网友的热烈声援之下，蜘蛛子的生存战略正式展开！                        

到了此时，中年壮汉不由在心中暗自揣测道“这么年轻，就将凡阶中级剑诀修练到了这种层次，这小子到底是什么来历？”错了性别不错爱小说结局是悲剧吗鲁宾逊（皮尔斯·布鲁斯南 Pierce Brosnan 饰）是一名英国水手，一次海难之后，他孤身一人在一个荒岛上醒来。陷入绝境的鲁宾逊并没有放弃希望，而是运用自己的专业技能，在险恶的自然环境和贫乏的生活条件下为自己创造出了一片赖以生存的天空，与此同时，鲁宾逊还要时刻提防着深藏在岛屿深处的食人族的攻击。                                                                    　　一次偶然中，鲁宾逊在食人族的手中救下了一个黑人小男孩，当天在鲁宾逊自制的日历上是星期五，于是，他将小男孩命名为“星期五”（William Takaku 饰）。恶劣的自然环境无法置鲁宾逊于死地，但孤独却可以，因此，他格外珍惜和星期五共处的时光。在封闭的岛屿上，抛开种族和血统，一种真挚纯洁的友情在鲁宾逊和星期五之间展开了。

This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb:　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 10/10　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

好在这一回，木灵没有像上次那样，再将苏生拉回来双修，只是嘀咕了一句“这小子睡姿真难看，也不知道挑个好地方，简直像头猪。”