转(□)自□http://www.filmli□c.c□m/nyff/2□□0/views-from-the-avant-gar□e-frid□y-□ctober-□/v□ews-from□the-avant-garde-jean-marie-s□□□ub □“The □□□ of par□dise o□ earth.”—Jean-Marie□Straub□ Th□ 33rd ver□□ and last chant of “paradise” in D□n□e’□□Di□ine □□medy. The□film starts wit□ □erse□67, “□ somma□luc□…□ and c□ntinu□s□t□ the end□ □□ Somma□luce□ reca□ls □he fir□t wor□s uttere□ by Emped□cle□ in □ani□le Hu□lle□ a□d Jean□Mar□□ Strau□’s 1987 T□e Dea□h of Emp□doc□es—“O□□□mmlisch Lic□t!…□ (O heavenly light□). This□extract from H□□□erl□n’s text is □lso i□serted into their □989 fi□m □ézanne□ (💂)“O somma luce” □nv□ke□ utopi□, or □etter still “u-topos,” Dant□, Ho□de□lin, Cézanne… t□e camer□ movement, re□alli□g□Sisyphus,□in□□he film’s lon□ shots, □ugge□ts its difficulty. In O □omm□□luce, wi□h Giorgio Passe□□ne’s Da□te and the verse th□t co□□luded the Div□n□ Comedy□ □□ find a□ the extremity of its p□ssibilities□ □he almost happy □pe□ch o□ a m□n who □as ju□t l□ft earthly□pa□adise, w□o tries to□fully □ea□□ze□th□ potential□of his nature. Bet□een t□e tw□ □e f□nd □□e s□ory of the wo□ld. □he □ir□t□Jean-Mari□□Straub f□□m sh□t □n □D. So □ingu□ar □re the te□tu□l□workin□ m□thods □f□□□raub-Huillet, □nd now Straub on his own, that□it□is□□a□□ to grasp how far □e□chi□□ they□ar□. Direction is a ma□t□r of words and s□□ec□,□not □m□tio□s□an□ act□on. Nothi□□ happens□at the edges, eve□ything i□ at the core and □hines□f□□m□th□re □lo□e. Du□□ng the rehearsals we□□ense a sl□w process b□ □hich in□re□i□□t□ (a□text, actor□,□□n intuition) progress□to□□rds cohesiv□□ess□□It □s, □orgive t□e c□mpa□ison, □□ke the kneading of □ough.□It is the assembling and wor□i□g of □□me□hin□ unti□ it be□om□s somethi□g else… an□, i□□this case, st□rts to shin□. Ac□ually□it’s v□ry simple, it□s j□st a□□uestion □f□o□□nin□ up to th□ light materi□l th□t has be□n sealed up. Her□□ the□pro□es□ o□ knead□□g is t□ bring□to li□e a□d□then □e□eal. The□material□that□is □orked on is□speech.□So it is□speech t□a□ beco□es visi□le—nothing else.□□Logos□ come□ □o the ci□ema. (🦂) The m□se en scè□e of w□at words exactly□ The □rocess o□□r□ve□□ing□□“phaines□ai”; “p□ainomenon,□ the□□henomenon□ is□□hat □ake□□pla□e, wha□ be□omes visible to th□□□ye. Is “Straubie” Greece? Th□s mise en sc□□e o□□speech, which goes beyon□ a clo□e readi□g of th□ chosen □ext□ is tru□y come□ □rom a distant sour□e.—Ba□□ar□ □lric□“慕婉，这是你新(🎥)收的弟子？”凤凰殿主看了李天命两眼。- 金光上□使出金□□时，第一个上□□之对□📑)战的□一个袒胸露怀的□..
“这并没有□么值得□怪□□)的(🏒)，你需要尽快熟悉□了解这一切□战场的事□，□有靠你了(🗻)。□2. 《最强狂兵》：这本小...
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六十度白开:115.504.274.329天机启，万象大衍造玄奇，血路承，穹宇浩劫自太曦， 气数转，璇玑一拨谁斗棋？风云合，且任逍遥共忘机。 “看经典重角震撼回归，再写全新故事” 霹雳天机系全新系列作，由天迹、地冥双主角领衔主演，双主线开启新故事。看天迹如何在逆势之中，统领群侠，对抗鲸吞中原的太曦神照。而失联久时的地冥，悄悄集结数名能人暗中行动，他为何不现身，又将翻搅何等风云？ “看新人鹊起引领风骚，谱写恩怨情义” 霹雳天机有新一代的偶像阵容，武林群星熠熠争辉。看一剑忘机道轩眉飘然入世，将为未来武林，扭转何等乾坤？看暗潮冷啸伐楼那踏入苦境，他要如何寻得圣焰之源，解救家国之变？更看白垩旷野的占星师――星桥引者解璇玑，如何游走正邪之间，卜测天下之谜。 “看枭雄叱咤并起，播弄乾坤扑朔迷离” 霹雳天机有坚强的反派主力，看掌握巨大寰界能量的太曦神照，并吞魔罗血界，广纳各方能人，如何独写霸业？看阴阳裂界父子枭雄――帝裔八龙天、往世阎摩如何动乱人世？也看八龙天、伐楼那“父杀子”预言，峰回路转如何演变？ “看剧情崭新编排，四大篇章高潮迭起” 霹雳天机以崭新的编排方式，讲述霹雳武林新一页的故事。第一部共分四大篇章，首篇【裂界】篇以双线并进的方式，带出过往两年，天迹流落裂族，如何抽丝剥茧，解开一场“尚未看见题目的考验”；另一边，则带出苦境的浑沌现况。接续而来的【魔熵】、【西崦】等篇，更将串联玄黄三乘、靖玄九星，至六蚀玄曜以来，横跨多档，众多未解之谜，更多牵引未来武林风云变化之秘，尽在全新的霹雳天机。 万众期盼，连台好戏，2023年，千万不可错失，霹雳国际多媒体年度钜献，黄文择布袋戏最新强档力作――霹雳天机。
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