《聚龙堂堂主》：

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1968年，日本发生著名的三亿元运钞车被抢事件，事后虽有逮捕嫌疑人追查，但始终未能破案。7年后诉讼时限已过，只能眼睁睁看着它成为日本战后最大悬案。　　当时负责此案件的沟吕木义人（上川隆也 饰）十分懊恼，嫌疑人内海一矢（）几乎已经是确定的罪犯仍然被放走。15年后，一件尘封的高校老师自杀案被提上议事日程，由于有匿名人士提供线索揭发那其实是一件谋杀案。沟吕木被指派担任这次重新调查的指挥官。根据“罗宾计划”这条线索，目标锁定当年的三个高中生喜多芳夫（冈田义德 饰）、龙见让二郎（新井浩文 饰）、橘宗一（柏原收史 饰），15年后这三人的境遇已经大不相同。在一系列调查中这三人回忆起当年的情景，随风而去的友情、亲情、爱情似乎又重新回到眼前。　　“罗宾计划”其实只是三个高中生打算潜入校长室盗取考试试卷的代号，却奇异地和老师谋杀案以及3亿元抢劫事件联系在一起。当真相呼之欲出的时候，警察们感觉到他们有心在袒护某人。而这已经是诉讼期限到期的最后24小时了，他们能在截止时间之前追查到真相吗？ 聚龙堂堂主In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

腹诽归腹诽，该买还是得买。

“萧尘，你大可以全力出手，因为我会找一名斗师级别的侍卫跟你切磋，如果你能伤到他，孤王重重有赏。”赵匡一脸期待的说道。