□#□9;□□thman' wa□ yet □nother□miser□ble □□;origin□l&□□9; film that Sy□□ decided □o torture viewers □it□. W□o□at the SyFy□Netw□rk is dr□nki□□ the □r□n□ Kool-Aid? The□ nee□ to □ire□knowledge□ble and int□l□ige□t decision□makers when it c□mes t□ thei□ line-□p and □roduc□i□n pr□cesses. The o□ly□th□□g□redeemab□□□a□ou□ 'Mothman'□ is that the act□n□ is abo□e average for S□F□ original featur□s. □he ca□t □id □□pret□y goo□ j□b wi□h such□a□c□azy, undeveloped s□oryline and script. The spec□al □f□ec□s □ere r□ally□p□tifu□ - worse t□an the old d□nosaur flicks f□om th□ 50□□39;s a□d 60&□39;s. With□today's t□chn□l□gy, someone with c□eativity and s□ill co□□d have□cre□ted much bett□r effects with home compute□ e□uipme□t. I□be□ieve tha□ any mov□e worth m□□ing□is worth mak□ng□r□ght□- a□ right □s □ossible an□way. □his □tart□ w□th t□e writers of cou□□e. A so□i□ p□ot, □to□yline a□d dia□og□really □re□□he most important - s□ecial e□fects can enhance or d□st□oy□a film □s well. □ontin□ity □s□a majo□ ele□□nt□in both, i□ order to eli□□n□te □□s□i□le holes and aid □□ be□ievab□□ity. I guess□□h□ p□□□uct□on company d□□n't□have anyone who could provi□□ co□t□nuity □o□ the script or□work-□lo□□durin□ filming and□□di□ing. O□ □ell.□And□why th□ □eck □id □#3□□SciFi' change □heir name□to □9;SyFy'? Ridiculous!想要□破到灵放□二□,□只(□)能□希望(□)于易辰□意把改良版□混□诀》,传授(🎊)□炎(📻)□部落了(🐆)。