《生肖守护神,笔趣阁》：

翟丽丽点头，能让郁瑥如此迅速接纳的人除了龙旭，她还真没见过第二人。就是她自己，也是使出了浑身解数才得到了他的欢心。

ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film. 生肖守护神,笔趣阁远处战场上，吞噬完三人的剑意以及生命力为自己恢复伤势过后，郑凌霄摇了摇头，有些不满意地嘟囔道：“哎，这些人的剑意真的太弱了，就算是吞噬了也才只增加那么一点点，算了，现在还是去把后面的那些个家伙都解决了吧！”

本部纪录片是导演迈克尔·艾普特从1964年开始拍摄的纪录片系列的第八部。迈克尔·艾普特在1964年为英国BBC电视台拍摄了记录片《7 Up》，采访来自英国不同阶层的十四个七岁的小孩子，他们有的来自孤儿院，有的是上层社会的小孩。此后每隔七年，艾普特都会重新采访当年的这些孩子，倾听他们的梦想，畅谈他们的生活。人生行至大半，岁月蹉跎。是悔恨感慨，还是遥想当年风华正茂。年华终有老去的一天，可生活仍将继续。　　陪伴这些孩子度过半个世纪的导演迈克尔•艾普特也已两鬓斑白，《人生七年》还将继续。

在日常学习、工作或生活中,我们心中时常会积累了不少感悟和见解,好记性不如烂笔头,还是用文字把这些感想都记录下来吧。不过,你知道要怎么写感悟吗?以下是小编