《婚姻时差》：

□远银□彼端，闪耀□一颗□📤)孕育魔法神力的星球——(🧥)维尔(🙉)哈伦。在至(🎞)高□神的□护下，这里的人□□着平静的(□)生□。直到纪□3836□，一名神秘的黑□人携着毁□邪焰突然降临，却发现自己弄错了□🌰)时间和地点，□在既定的命运一如他□中那本时之文书所记载……神力□焰失去□控，到处肆虐，大祭司云□为平定□□□□□在明鲸港(□)召开“和平□□□，选拔各国精英， 筹建□厄特勤组，故□就(🐸)从这里开始……赶紧点□下面链接，再□🐶)回归一...

□他一并将傀儡术也□了。十个老□竟然□了：转□：□□t□://□w□.fi□mlinc.com□□□ff/□0□0□views-f□om-□he-avan□-garde-frid□y-october-1/□iews-□rom□the-□vant-garde□□□a□□marie-s□raub　□“The end of p□r□dise on□earth.□—Jean-□arie□Strau□　□The □3rd ve□s□ a□d last chan□ □f “para□ise” i□ Dante’s Divine □om□d□. Th□ fi□m□s□arts with verse 67, “□□somma luce□” and□contin□es□t□ th□ end. “O So□ma luce”□□ecalls the□first words uttered by Em□edocle□□in Danièle Huill□□□and□□e□n-Mar□e St□aub’s□1987 T□e□□eath of□Emped□cles—“O himm□i□ch Lich□!□” (O □eavenly light!). T□is□extract from Höld□□lin’s te□t is also ins□rted □nto their 1989 film Cézanne.　　□O somma □uce” invokes □topia□ o□ bet□er stil□ “u-topo□,” D□n□e,□□ol□erlin, Cézanne… □□□□□amera □ovement, recalling Sisyphus□ in the □ilm’s long sh□ts, □uggest□ its□difficulty.　　□n O somma luce, □ith Giorgio □asse□one’s D□nte and the verse □□at conc□uded th□ Divine C□medy, w□ find at□□he □xtr□mity of it□□possibi□□ties, □he almo□t h□ppy sp□ech of a ma□ who has just left□earthl□ p□radise, who tri□s to fully □ea□ize the □oten□ial of □□s na□ure. □etwee□ the □□o w□ find□the □tory□□□ th□ wo□□d. The fir□t Jean□Mari□□□traub f□lm shot □n HD□　　□o singular are the textual □orking met□ods of □tr□ub-Huillet, and □o□ Straub on □is□ow□, that it □s hard to grasp □ow far re□ching they are. Direc□ion□□s a□m□tter □□ words □n□ speech, not□emotions a□d□□ction. Nothing□happen□ at th□ edges□ □verything is at t□e core a□d s□ines fro□ th□r□□□lone.　　□uring t□e □ehe□rsals w□ □ense a□slow □ro□ess b□ wh□c□ ing□edients (a text□ actors,□an intuition□□progr□ss toward□ cohes□ven□ss.□It is, forgiv□ the comparison, like t□e k□ead□ng □f dough. It is th□ as□embling and wo□□in□□of so□□thing unt□l i□ becomes something else… an□, in this case, □□□rt□ □□ sh□n□. Actua□ly it’□ very simple, □□’s j□s□ a qu□stion of□opening□up to the□light m□terial that has been s□aled up. □□re, t□e□proces□ of kneading □s t□ br□□g to□life and □hen r□veal□ □□e□material t□at is □ork□d on □□ speech. So it□i□ speec□ that becomes visible—nothing else□ “Log□s”□comes to the□ci□□ma.　　The mise en □cè□e of what words□e□a□t□y?　　The pro□es□ of reve□li□□, “phai□estai”; “pha□n□menon,” □he ph□n□menon,□□s□w□at take□s□lace, what□becomes □isib□e to the e□□.□　I□ “Straubie□ □reece□　　Thi□ □i□e en scène of spe□ch,□which goes □eyond □□clo□□ read□ng of the□chosen text, is truly comes from a dista□t□s□ur□e.—Barbara Ul□ich□□□-□在电视剧《□华年》□□□二苏□卿有可能是重生□(🐡□。从他的种种□现来看，比如他在很多重要场合都能掐着点去找(💆□女主，□人□测他是重生而来。