“诚邀四方宾朋共赴一场花期之旅,沐春风、游山水、品美食,在花海中畅享春意,在山野风光中更加深入地认识万柏林、了解万柏林、感知万柏林。一如既往关心支持万柏林发展,前来观光旅游、投资兴业。”孙泉表示,将以此次樱花节为契机,进一步挖掘特色、发挥优势,提炼经验、拓展成果,落实省、市推动文旅深度融合发展战略,把文旅产业高质量发展作为转型发展的重要抓手。(完) 中新网乌兰察布4月8日电 题:“漠南盐池”蝶变“生态名片”:察汗淖尔湿地“颜值”飙升 我要成名国粤双语版Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'