《把那里面填的满满的英文》：

这个就非常多了，作为一门广泛使用的编程语言，Java一直占有着非常高的市场份额，编程软件自然也非常多，既有专门集成的IDE环境，也有轻量级的代码编辑器，下面我简单介绍一下，感兴趣的朋友可以尝试一下IDEA 这是一个非常

＂嗯，走着瞧吧。＂凯冷笑道。把那里面填的满满的英文说出这些话后，非鱼也是觉得好笑。于是，非鱼并不想拖延下去，是时候，一点一点折磨武书了。

The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.

“我说林大警官，你这买个烤鸡也太慢了吧？我这事都办完了，你才回来。”