In t□e □ime of C□un□er-Refor□a□i□n, a m□ll□r and hi□ son com□ under invest□gation by a□priest of th□ Inqui□ition, when□rumors sprea□ that their pr□sp□ri□y come□ □ro□ workin□ with□the D□vil. The Devil□□3□;s Trap i□ a film dir□cte□ b□ František Vlá(🏎)?il, based □n □□novel by Alfréd □e□hnik, adapted by Franti□ek A. □v□rák and □iloš□□)□Kratochvíl. It w□s the first of □hree□historical d□am□s □hat Vlá?il ma□e du□in□ □he C□e□h New□Wave□(technicall□ □e isn&□39□t really a part of the□New Wave,□however th□□e f□lms we□e made d□ring the sam□ □ra □f artistic fre□□om), preceding□□□□ mor□ we□l known Marketa Lazar□vá□(1967) and□□alley□o□ the □e□s (1968). Set□in□□h□ late 16th □entury during□the Catholic□Re□o□mation,□in □he Mo□avian Kar□t, situat□d in □hat is now the Easte□n Czech Republ□□□ i□ tells th□ tale□of□a mi□ler (Víte□sl□v Ve□razka), and his so□ □an (□ít Olm□r), who□come □n□e□ suspicion and are □nvestiga□ed by□□ Jesu□t pries□ of the □□quisit□on□□Miroslav Ma□h□chek)□ w□□n □um□□s of witchcraft are s□rea□ □y the □oc□□ regent (C□stmír Randa), who is jeal□us of□the □il□er□#3□;s pros□erity and degree of□respe□t a□o□g □he l□cal pop□l□ce. A□ expe□ted from Vlá?il, □his f□□m is a □tunning expe□ienc□ all th□ way□□hrough. From t□e□opening □hot, an omino□s manipulatio□ of perspec□ive wi□h a □lose□u□ of a ma□gled f□gure of Ch□ist dominating t□□ foregrou□□ □ga□n□t a tiny figure □n black walk□□g□along the horizo□, to □he breathtak□ng co□front□tional final□ inside the va□t st□l□ctite filled □arst caverns, □t □s a w□nderful display of vis□al mast□ry□□□Mayb□ not quit□ as impressive as M□rketa Lazarov□, but st□□l full of astonis□ing □magery□ As □ee□ from unique ang□es and dis□in□t poin□□ of view which highli□ht th□ director&#□9;s r□marka□le□sense of awar□ness of fra□ing,□moti□n, an□ positioni□g□on the □mo□io□al and dra□□tic tone of th□ □cen□. The□most□memor□b□e b□ing a□□epeat□□ shot wh□□e □he ca□□ra is □uspended and □aun□hed□with sp□ed □h□ough the□air□tow□r□s□th□□miller&□39;s□doo□. The □□□ry he□e is a simple one and I would □ay more a□cessi□le□than□hi□ later works□ With a conv□ntional□str□ctur□ emphasized as much by□□ts plot □nd□c□□racters, t□an by its e□□ress□onist□c c□nemat□graphy or aut□entic h□storica□ detail. The□□vents pla□ o□t wit□out muc□□□urp□ise, □nd □□er□ i□ a s□rong und□rlying, □lmos□□s□pernatur□l□ mysterio□s aspe□t that is□left unres□lved□ i□ fact□barel□ explo□ed, □hic□ is slightly□□i□appoin□ing, but on□□ b□□a□se □t's □o □□□cina□in□ th□t I wis□ □here w□s m□re. Acting i□ g□□at all aro□n□. Particul□rly the vill□ins□ Mir□slav Macháchek as the □□ie□□, cast□ng a sinister □nd□imp□sing shad□w whe□ev□r he goes, and Cestmír Randa as the weasel □ike regent behin□ all the persecut□on. □hi□e V□t Olmer□br□ngs a charismatic □eading□man presence in □is role as the m□ller&□39□s□son J□n, in love with th□ lovely orphan □□rl Mart□□a (K□rla Chadimová), w□o □ec□m□s a dange□ous □bj□c□ o□ riv□lry bet□een □an an□ other □ou□g m□n of the □□l□age. The fi□m□als□ fea□ure□ the□□vo□□tive mus□c of Z□en?k Liš□a□(perhaps the mo□t□prolific compo□□r of the Czech Ne□ Wave). In t□is his se□ond□□f eleven c□ll□□□rations with Vlá?il, his compo□□t□ons ar□□us□d□s□aringly□ but □□ grea□ effect, co□□limen□ing but nev□r □ve□powering a scene.□The best example □f whi□h □□n□b□□hear□ i□ an amazi□gl□ shot □elebration and d□nce sequ□□ce at the end □f the sec□nd act.□ (📪)The D□vil's Trap might no□ be a mast□rpie□e,□but it□is stil□ a s□ro□□ e□fo□t□ w□th a f□scinat□ng st□aightfor□ard sto□y □nd a gl□rious hi□torical settin□ c□pt□□ed beautifully by Vlá?il&#□□;s□unmis□□kab□□ vis□□l pr□we□s. A fine work t□□t □ou□d als□ be the p□rfect star□er plate to prepare yourself for the challen□ing feas□□of Mar□et□ Lazarová or The Valley of the Bees□ It eve□ has□□n easy to digest r□nning time. It□;s□therefo□e puzzling w□□ th□s g□m rema□□□□la□gely□overlooked and □g□□red□在《校花□贴身高手》中，□雨舒是(□)一名特工。□□ desta□□do□grup□ d□ pr□sas de Cruz del Sur s□n □rasla□□das a□la nuev□ □enitenciar□a □e □ruz □□l Nor□□□ don□e d□berá□ acostum□□arse□a una nueva r□□l□da□,□a□í□como también a nuevas m.ysgou□c□ co□pañer□s y□grupos de p□der. E□pe□□□□men□e □l □enominado Tríad□ Tao, lide□ado por□□ec□usas □e ori□en chino. Alta□□□□□□, la funcionari□ jefa de C□uz del□□orte, les deja□á l□s□normas □ien clara□□a□las nuevas reclusas,□para que el módu□o □ no se con□ierta en una □lla a pres□ón□《我的逆天神器□主要(📳□讲□了屌丝青年常(😦)天□一次危机□刻(🍄)□竟召唤□了传说中□神(🥐)兵□作为“□身□卫”，从此□与幻化成人□的□兵器小白形影不离(❤)。在与小白□□(🐿)战斗□过程中□常(〰)天还与豪门千金□倾城结缘，关于上□□器库、元武者的□种神(🎸)秘过往也一一展开 □nbsp; &□bs□; &□□s□; □nbs□□ &nbs□; &□bsp□ &□bsp;
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未可思思:116.525.459.875"第141章 潜修之于日常 (上)
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