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□凡人修仙传》是□载于起点中□网的一部仙侠修真小说，□者是忘语。小说讲述了一个普通的山□穷小子(🎧)，偶然□下，跨入到一个江□小门派，虽然资质平庸，但依靠(🕊)自□🤛)身努□和合□算计最后修炼成仙的故事。1. 《悟□传》：这是一部由□何在□□的网络(🕙□小说，被誉为是(🔀□前后□百年写猴子写得最好的作品之一□□是□络□□中□绝□经典，具有独特的魅力和热血沸腾的语□。“那女孩究竟是谁？”□□美少女「藤乃□」□外坠□身亡后，一个女孩自□(🗓)是「朱」的孪生妹妹「樱」，某□突然出现在□□·沟□木面前。名为「樱」的少女□(🕣)得和朱□模一样，□□却无人能够证实她的来历□亟欲从两人身上找到关联的(🧜)沟吕木，本身也因为(🚟)抄袭事件身□泥沼无法□拔。抄袭了朱(🐙)的小说的沟□木，□受□自称持有被(🧣)抄袭□说(🎲□原稿的樱□提议，被逐渐□入(□□黑暗□中□同时□□□□辑和负责追查「朱」之死□(□□真相的刑警□在背后穷追(🎗□不舍。围绕着□几人□开的谜团，越发□□解□—□—
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野猪大改造百度百科 材料：牛肉300克、春笋300克、油2勺、生抽1勺、老抽1勺、蚝油1勺、生姜5片、葱2根，盐3克。 - 虚伪面具:123.773.196.348这是苏红袖的一种本能反应，她迅速站起身，朝着后方奔跑。
- 空如花草0:112.438.534.256Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation… Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self. This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol. The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.
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