Siddartha (Dhriti□an Chat□□rjee□ is forced to di□conti□ue his□medica□ studies du□□t□ u□□xpecte□ a□d□brutal □eath of h□s □ather. He □as t□□now find a job in stead. In one job □nterview, he i□ asked□to □ame □□e □ost □ignif□cant world□event□i□□the las□ t□n y□a□s. His□re□l□ i□□'□the□plain human□co□rage shown by□the people o□ Vietnam&#□9□, instead o□ the expected □ m□n lan□ing □n moon. The□□nterv□ewer a□ks is□he is □ co□□u□i□t. Needles to□s□y tha□ he □□es□not get th□□□ob.□ He re□c□es a □offee shop where he i□ offered t□ work for the□c□m□unist pa□ty. W□en □e □o□s not□□how an□ inte□est the pa□ty leade□ te□ls him abo□t an □p□ning for a medical □□presentative. T□ es□□pe f□om the heat a□d have a□sno□ze, he go□s in t□ a cinema.□As □ gov□rnment pr□paga□da□□ewsreel is being□□hown□b□fore the fea□ur□, a □o□b □xplod□□ in the□cinema hall. I□ the stamped□ that f□llo□s, Si□dartha,□bre□ks h□s w□tch. □□ goes to a watchmake□ b□t he cannot□□fford the repa□rs□□ Waiting to cross□the road, he notices a se□y g□r□. He □rifts back t□ his□days as□a medic□l s□ud□nt in a fla□hb□ck.□The professor is explaining□anatomy □f f□male b□east. Many flash□acks a□d dreams □c□□r □o Sidda□□ha thr□ugh the□film. On his way to □ostel,□he □as an encou□te□ □ith some hippies. A□ong with an ex-class□a□e, he goes o□t□to see a p□rn □□l□□but to their d□sap□ointment□□th□ film □u□ns out □o be□no□-so-p□rno□raphic.□□In such□constant wa□□ering in □ Calcutta, disin□egrated relation□hi□s with his sister and a Naxali□e □milita□t com□□nist)□brother, his frien□ship □ith Ke□a is only□thing □ha□□keeps him san□. Ke□a is □□s□mple g□r□□ □he□ enjoy each other's co□□a□y but th□y□cannot make a□y c□m□itment to □ach other□due to the□cir□umstances. Afte□ □et□anoth□r attempt□□t□a j□b inter□iew, Sidda□tha leaves□the b□g□cit□ to take a modest□job □f □ sa□esman i□□a far off small t□□n. He□wri□es to Key□□that he□s□il□ cheri□hes □□□ir□relationsh□p. A□d that he□□a□ he□□d that bir□ cal□□again but t□□s time□it is f□r real□ □nd not his m□nd. □fte□□comp□eting the letter, he □□mes out to th□ balcony □f h□s modest room□ The bird calls again. □e□a□so he□□□ □he s□mbr□ chants o□ a□funeral procession□ As he t□rns□to th□ c□me□a, the picture □s□frozen. Th□s is the f□rs□ film □f□the Calcut□a Tri□og□.□Th□ oth□r two w□re □nd Seemab□ddha □Company L□mited, 1971) and J□na Ara□□a□(The Mi□□le □an, 197□). All th□□thr□e films st□□□ the eff□ct□th□ bi□ ci□y of Calcutta □a□□on t□e e□ucated□yout□ and □he□price i□ extracts from them. The □□□ent□e□ □□re□a diff□cul□ □eriod for□Ind□a and□West Be□gal. The Corr□pt□on was rampant□ th□□Naxa□i□e movement □□d□created havo□ i□ Calcutta. □□ f□c□, they had turn□d parts of □□lcutta i□to □#39;liberated zones'. By the ti□e the N□xali□e movement died down, □n 1975□ Mr□. Indira Gandhi □then, P□ime □inister□□f Indi□) s□□press□d th□ funda□en□al □□□hts an□ □□clar□d□"□m□rgency" for her own □olitical s□rvival□□□er □on, □anj□y Gan□hi became□□ dictator of sorts wit□out any of□i□ial □esignati□n. □he o□positio□ leader□ wer□ □hr□□n□int□ pr□sons.□□About □is social responsi□ilit□□s as □□filmmaker, in □□ interview wit□□Cineaste magazine, Ray c□□me□ted,□□quot;You can □ee my a□titude in T□e Adversary where you □ave□two broth□rs. The youn□er□broth□□ i□ a□Na□alite□ □he□e□is no doub□ tha□ the elder broth□r adm□res□□he y□unger□brot□er fo□ □□s bravery and convictions. □he□film is□not ambiguous□a□□ut that. As a filmmak□r, however, I was □ore inte□este□ □n the □ld□□□□r□□her b□cau□e□he is □he vacil□a□ing charact□r. A□ a □s□c□□lo□ical□en□ity, □s a human being w□th do□□ts, h□□is a□more□interestin□ chara□ter□to m□. The younger□□ro□□er has already identifi□d hi□self □□□h a cause. That m□kes hi□ p□□t of a tota□ □□titud□ a□□ mak□s him unimport□n□. □□e□Naxal□te□move□□nt takes□over. He, as a person, becomes□insignif□cant." In a letter to□Seton□i□ 1970, Ra□ w□□te□th□t Prati□w□ndi was the most □ro□oc□ti□e film □e had made till □hen. The film is said to □ave evo□ed e□treme re□ctions. "□□eople either □oved t□e fil□ or hate□ it□quot□, Dhriti□a□ Chat□er□ee told Andrew Robinso□, Ray&#□9;s bi□grapher.3. 《无奈闯入娱...□/p><□□在《□秘之主□□，□蒙常常戴着单片眼镜，这(🈶)已成为他极具标志性的□□。文中提到阿蒙戴着单片眼镜□□了如□取□离、分身□欺诈□多种行□👣)为□阿蒙的单片□镜于其形象和所□现的(🏨□□力方□都(😪)□□重要□象征意义。当书中...<□p>世上(⛰)真有鬼吗？□(□)是做为尸体化妆师的媚(🌒)媚（巩新亮 饰(🙀)），经常会□的一个问题，长时间与(🛏)死□打交道□□，言谈举止也变的怪异，再加上自己□柔的外(🕰)表、飘逸的身材□和不苟言(✊)笑的性格，□室友雯(🏎)雯（王希维 □）□常开玩笑□说□我的□友是小倩。□(🚊) 雯雯的好友□乐（大左□饰），年轻气盛、才华(□)横溢，他自□□🎿)开□一家婚庆公司，但第一次为新人服务就碰上了一个棘手的(🎓)问题(☝□，□礼还有□个□时就开□🐔)始了□但化妆师却怎么也□系□⛴)不(👈□上，车队的头车也出了□题，情急之下，□打电话(📼)找到雯雯，而□□□)昏沉□的雯雯直接把(📺)媚媚的□(🔐)话给了杨□……□礼即将开始，所□人都惊□□，媚媚居然给两□新□画了一个死人妆，多亏杨□妙语连□，帮□人圆了(👍)场，□礼也总算有惊无险，□乐对媚□也产生了微妙的感觉□ (🔭)有(🍆)些自责的媚媚，觉得自己过于沉□在工作□，亦师亦友的堂倌马□（午马 □）也劝媚媚多跟朋友聚聚□□样会减少身□的阴气，□过激烈的思想斗争□后，媚媚□一次□雯雯□了酒吧，没有□到媚媚这一次的选择□让她卷入到一场惊□动魄而又匪夷(👉)所思的□件中□…影(🔋)□不但展□了凯□·派瑞年幼□□□)生活甚至□包括(🕓)了她与刚刚离婚不(🐬)久□🥜)的丈夫□塞尔·布□德之(💠□间的(😻)关系。糖果般的□彩继承了水果姐MV的一贯作风，展示了派瑞□为一个甜歌手的辛苦(❔)与名气□□。 近年来，将流行歌手的成长史颁上大银幕的做法屡见不鲜。如□年的《Just□□ Bieber□□□ever S□y Never》和2008年的□✖)《Mil□□ Cyrus Concert Tour》。今年暑期档，&quo□;□果姐&quo□□K□ty Perry的音乐纪录片《Part o□□Me》也将以3□□式登□大银□□在新曝光的□支□□片中□□短的2分□，Katy Perry换了50套衣服□发色换了5次，不愧为大走糖果色系的&□u□t□水果姐"□□
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